Pablo Palomino is a cultural historian of modern Latin America. Licenciado in History in his hometown at the University of Buenos Aires, he did his doctoral studies at the University of California, Berkeley, with a dissertation on the transnational musical networks that shaped Latin America during the golden era of the region's cultural nationalisms. This research was conducted in archives located in Buenos Aires, Belo Horizonte, Rio de Janeiro, Mexico City, Berlin, and Washington D.C. He has been visiting lecturer at Berkeley and postdoctoral lecturer at the University of Chicago's Center for Latin American Studies before joining Oxford College in 2017. As a Mellon Faculty Fellow in the Humanities (2017-2020), he is part of a group of faculty fostering interdisciplinary connections across different academic units at Emory.
Pablo worked several years at the Argentine alliance of human rights organizations Memoria Abierta, researching and producing testimonies for Latin America's first Oral History Archive on state terrorism and political violence. He has been evaluator of the CLIR-Mellon dissertation fellowships, reviewer at academic journals from the UK, Spain, Israel, and Argentina, and a frequent participant in panels at the American Historical Association and the Latin American Studies Association. He recently organized the Colloquium “The Worlds of Latin American Music in the 20th Century” at the University of Chicago, bringing together historians and musicologists from Buenos Aires, Paris, and Chicago to discuss global uses of the category “Latin American Music.”
His manuscript in progress, “The Invention of Latin American Music: Transnational Networks and the Emergence of a World Region,” is under contract with Oxford University Press.
PhD| University of California, Berkeley| 2014
BA| Universidad de Buenos Aires (Argentina)| 2005
Music and globalization in Latin America; Progress, development, and the future in Latin America; Modern Argentina; M.A. Proseminar on Latin American Studies; M.A. thesis workshop (University of Chicago, undergrad, M.A., and Ph.D. students, 2015-17)
Modern Brazil; Modern Latin America; Seminar “The question of progress in Latin American history”; B.A. thesis seminar (UC Berkeley, lower and upper divisions, 2014-15)
History and memory of political violence; History of Argentine popular culture (Buenos Aires Center for Advanced Pedagogies, teachers training, 2006)
Social Science Research Council (SSRC) - International Dissertation Research Fellowship, 2010-11
Council of Library and Information Resources (CLIR) - Mellon Fellowship for Dissertation Research in Original Sources, 2010-11
[Forthcoming] “An inconspicuous popular artist: the global repertoire of Nina Sibirtzeva,” Journal of Social History, 2017
[Book chapter] “The Musical Worlds of Jewish Buenos Aires, 1920-1950,” in Mazel Tov, Amigos!: Jews and Popular Music in the Americas, Brill Publisher, Leiden (Netherlands), 2016
“Nationalist, Hemispheric, and Global: ‘Latin American Music’ and the Music Division of the Pan-American Union, 1939- 1947,” Nuevo Mundo – Mundos Nuevos / Nouveau Monde – Mondes Nouveaux (France), June 2015
“Tango, samba y amor,” Apuntes del CECYP, 12, Buenos Aires, 2007
“De memoria: testimonios, textos y otras fuentes sobre el terrorismo de Estado en Argentina (educational DVD, coauthored), Secretaría de Educación de Buenos Aires & Memoria Abierta, 2005
“La revista El Gráfico en sus inicios: una pedagogía deportiva para la ciudad moderna” (with Martín Bergel), Prismas. Revista de Historia Intelectual, 4, Universidad Nacional de Quilmes (Argentina), 2000
[Translator] Hugo Lovisolo, Vecinos Distantes: Universidad y Ciencia en Argentina y Brasil, Libros del Zorzal, Buenos Aires: 2000 [Vizinhos Distantes: Universidade e Ciência na Argentina e no Brasil, UERJ, Rio de Janeiro: 2000].
Latin America and the Caribbean as a world region; Argentina, Brazil, and Mexico; musical globalization; ideas of progress and development; history of the future; Latin America-United States relations; oral history and human rights; thesis design; historiography and methods in transnational and global history.
You can check his academia.edu page